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Shadows create fascinating pictures on their own, and they also are
beautiful when paired with their parent object. The contrast between
the image and its shadow makes an amazing photograph.
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You will be
graded on:
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·
Submitted
required # of photos (5pts)
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Creativity (5
pts)
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·
Quality of
images that you produce and photoshop. (5 pts)
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Total Possible: 15 Points
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Be creative and do your best work. Each
image needs to be inserted into PowerPoint, one photo per
slide with (total of six slides INCLUDING title slide with your name
and class period).
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"Beware the dark side",
that famous sci-fi movie “master” more than once cautioned his young
protégé about “The Force.” But the dark side—a.k.a. shadows—is well
worth the photographer’s attention. While the eye is drawn to bright
areas in a photograph, the interplay between bright and dark—between
highlight and shadow—can make for a terrific photo. And shadows
themselves can be good photo subjects. (They can also be very
effective distractions—another good reason to pay attention to them
when shooting!)
Outdoors, the best shadows
occur early and late on clear days, when the low-angle sun creates
long ones. You can have the shadows loom toward the camera by
shooting toward the sun, or extend from the camera by shooting with
the sun behind you. Generally, shooting at an angle to the sun
produces the most effective shadows, as they’ll then run across the
frame. Go out with your camera first thing in the morning or an hour
or so before sunset, and watch the shadows as you face in different
directions. When you find something that looks neat, shoot.
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Shadow patterns on the ground
make good photo material, but so do shadow patterns on subjects such as
rocks, buildings and even people. For example, position a person under a
latticework, and watch the light and shadows on his or her face (this
isn’t great “formal” portrait lighting, but it’s a neat special effect).
You can
also deliberately cast a shadow (or in scenic photography, wait for the
sun to move to the right position to do it) to add interest to an
otherwise too-evenly lit scene. For example, if you’re photographing a
rock formation, the whole formation lit evenly makes for a dull photo,
but if a large foreground rock is in shadow, the whole image takes on
more “snap.”
Actually, light—and the way it interacts with its complement, dark—is a
key element in every photograph. So watch those shadows and put them to
good photographic use.
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